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Lodge D., Nice Work — 1989

When Vic Wilcox, MD of Pringle's engineering works, meets English lecturer Dr Robyn Penrose, sparks fly as their lifestyles and ideologies collide head on. But, in time, both parties make some surprising discoveries about each other's worlds - and about themselves.

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Lodge D., The Art of Fiction. IIlustrated From Classic and Modern Texts — 1992

The articles with which David Lodge entertained and delighted readers of the Independent and The Washington Post Book World for fifty weeks between 1991 and 1992 have now been revised, expanded, and collected together in book form. The art of fiction is considered under a wide range of headings, such as the Intrusive Author, Suspense, the Epistolary Novel, Time-shift, the ...more

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The Penguin Book of Modern British Short Stories — 2011

The short story has become one of the major forms of modern literary expression - in some ways the most modern of them all'. The story of the British short story since the Second World War is one of change and revolution and this powerful and moving collection brilliantly demonstrates the evolution of the form. Containing thirty-four of the most widely regarded postwar British writers, it features tales of love and crime, comedy and the supernatural, the traditional as well as the experimental. This many-storied, many-splendored collection is a brilliant portrait of the generation of writers who have immediately influenced the brightest, sharpest and most intriguing writers who continue to emerge today

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Lodge D., The Picturegoers — 1993

THE PICTUREGOERS, originally published in 1960 and now reissued as part of a Penguin first novels promotion, nearly had David Lodge marked down as an angry young realist of the Sid Chaplin / Alan Sillitoe school. 'Love and brute desire . . . cynicism and faith' yelps the jacket of my 1962 Pan paperback, 'a compassionate, realistic and even shocking novel of urban Britain today'. The 1993 blurbwriter has settled for a more sober excursus on the 'realities of city life' and 'a flickering backcloth of celluloid fantasies', but in fact the urban backdrop is something of a decoy. While the novel's wider structures take in a collection of people who turn up each Saturday night at the Brickley Palladium, a seedy cinema in the seedier part of south-east London, its chief quarry is that very rare animal, the question of religious belief, here dramatised in the persons of Mark Underwood, a cynical lapsed Catholic undergraduate, and Clare, the highly devout daughter of the Catholic family with whom he lodges, lately released from her novitiate and contemplating the confusions of the secular life

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